At the end of Star Wars: The Rise of Skywalker, when Rey arrives at the planet Exegol and get ready to face the Emperor, she discovers the murmurs of his supporters, the Sith Eternal. Their articulations in the background are actually an easter egg and a gesture to Star Wars: Episode I – The Phantom Menace. In The Phantom Menace, situations with Darth Maul and Darth Sidious are often accompanied by same mumbles as they boost their shadowy plans to attack Naboo and Queen Amidala.

From Star Wars to The Rise of Skywalker, John Williams’ soundtracks have always been incredibly memorable and exceptionally good at reflecting the spirit of the Star Wars universe and its personas. Throughout all movies, the tones and music of Star Wars stood consistently good and this consistency helped connect the entire adventure together despite converting directors and brand-new people. In countless channels, John Williams’ music representing the person of Star Wars, and it’s no wonder The Rise of Skywalker had other easter eggs related to Williams.

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In Star Wars, each move of music either represents a character, an important moment, or individual organizations. For example, there’s a track dedicated to Princess Leia, to Rey, but also a track for the Empire and Rebellion, as well for important battles. The most famous piece of music of the prequels is “Duel of the Fate, ” which is the theme for one of the most iconic lightsaber engages of the chronicle where a young Obi-Wan Kenobi and Qui-Gon Jinn face off against Darth Maul. But in many of Maul’s situations, he’s accompanied by dark whispers very similar to what Rey would eventually hear in The Rise of Skywalker. In such cases, the moans start hand-in-hand with Williams’ musical theme for the Sith and, exclusively, Darth Maul and Darth Sidious.

The whispers Rey hears in the throne room at Exegol might also have an in-universe explanation. The Sith Eternal are cultists who sacred the dark side of the Force and acted in the darkness for years to guarantee the return of the Emperor. It’s not far-fetched to belief they existed back in The Phantom Menace and that they somehow squandered the dark side to communicate with Palpatine’s negotiators, or at least, their murmurs represented his influence even back then. This would neatly tie together both the music cues for the Sith and the backstory the sequel trilogy offered for Palpatine’s return.

Star Wars: The Rise of Skywalker is full of easter eggs and cites to the rest of the romance. Some of them are more obscure than others, but they all facilitate connect the epic together and contribute a submissive gesture to what came before, peculiarly when it’s something as iconic as John Williams’ slog. The tones and music of Star Wars don’t merely emotionally resonate with gatherings, but they likewise cure connect all movies and unite its courages across decades and planets.

More: Star Wars: Why The Death Star Had A Map To Exegol In Rise of Skywalker

Read more: screenrant.com