Amsterdam-based Ming Design Studio leant a modern slant on the traditional proficiency of lacquering to create Bold, veered wooden stools with a glazed finish to move you “want to touch it”.
Ming Design Studio benefactors Zhiya Huang and Mingshuo Zhang were inspired to work with lacquer after visiting China, where they watched the lacquering process first hand.
Ming Design Studio built the Bold stools from timber and glaze
Lacquer, which dates back to the neolithic period, is a liquid made of shellac dissolved in alcohol that dehydrates to structure a hard protective coating.
As the duo explained, the material is typically applied to objects like bowls, receptacles or hard-edged furniture, and is often known as an anti-corrosive skin-deep treatment.
Huang and Zhang wanted to reveal its less conventional tones and making the traditional information into the 21 st century by applying it to modern design.
One of the stools is coated in several beds of wax to give it a glazed finish
“We were fascinated by lacquer- an ancient, natural substance, but rarely known, ” they explained.
“Its colour, mantle of degree, quality, tactility, make process and the floors behind everything there is seriously captivated us. But this material is gradually disappearing , not so many beings recognise its ethic anymore.”
“Lacquer is a living material, which conversions emblazon over the years- we may say it is like a wine-coloured, the longer[ it’s left] the better, ” the designers continued.
“We wondered if we could save this traditional workmanship by unveiling its unique beauty to bigger gatherings, and hoisting its artistic value through our wreak, ” they added.
The stools have been secured together with simple mortise and tenon-style seams
The result is two minimal, four-legged sets made from paulownia wood that has been etched into burly, curvaceous species that aim to best showcase the effects of various lacquering techniques.
Constructed from five separate regions, the four legs are secured to the seat by simple mortise and tenon-style joints, prior to being shelled and coated in lacquer. No resin or glue was used.
Each stool boastings a smooth, veered figure
Each Bold stool has a seamless form with subtle curvatures, such as the smooth transitions from the seat to eat leg and the centre of the seat, which contains a modest dip.
In addition to realize it more ergonomically affectionate, this condition too grants the stool a glazed upshot, allowing it to reflect more light.
“You should be able to inadvertently want to touch it while watching it, ” indicated by the duo.
One of the stools has a matte effect with really a few cases layers of wax
While one is a uniform black colour with a more matte gist, created using the “wipe-coating” technique with simply a few cases blankets of lacquer, the other boastings a dark red hue and a shinier surface.
This has been achieved using slip-coating and variable gradient-coating skills, which involves multiple blankets of lacquer, and as a result has a production time of around two months.
Huang and Zhang describe it as a “functional art piece” that can be used as a stand-alone decorative, collectable objective or as a beneficial furniture item.
The Bold stool has been shortlisted for a Dezeen award
The Bold stool serial has been shortlisted for sit scheme of the year at Dezeen Awards 2020 alongside a recyclable chair that Barber& Osgerby designed for Emeco and a wood-veneer chair designed by Thomas Bentzen for TAKT.
Also in the shortlist is modular stool by Studio RYTE made from flax fibre and polylactic battery-acid( PLA) that is fully biodegradable where reference is reaches the end of its life.
According to its decorators, the Triplex stool would take an estimated three to six months in a restraint environment to start decomposing.
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