Pundits occasionally go overboard with allegories, but there’s no escaping the “Believe the women” undercurrents in “The Invisible Man, ” which converts invisibility into the ultimate tool of an abusive, high-tech modern stalker. That approaching conjures lots of creepiness, thanks foremost to star Elisabeth Moss, but this is one of those movies that the project works better the less hour one spends sweating the details.

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