Our pundits pick a daily spotlight from the treasure trove of online music to help get you through lockdown. This week we “ve brought you” slo-mo Part, a marvelous Figaro and Beethoven’s tenth – yes really
Browse our selects from :* week six* week five* week four* week three* week two* week one
Filmed in 2017, John Cox’s Garsington Opera production of Mozart’s Figaro is a superb example of traditional age placing at its best: rational without resorting to weighty interprets and marvellous in both its sharpness of social and mental watching and its subtlety of detail. It’s beautifully sung and behaved by a finely integrated ensemble cast that opposes Joshua Bloom’s musing Figaro and Jennifer France’s spirited Susanna against Duncan Rock’s dangerously beautiful Count. Kirsten MacKinnon is his put-upon Countess, troubled yet tellingly enjoyed by the attentions of Marta Fontanals-Simmons’s Cherubino, and there are wonderful performances from Janis Kelly, rarely bettered as Marcellina, and Timothy Robinson’s unctuous Basilio. Every second is a real treat. Tim Ashley
Read more: theguardian.com
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