Help! I'm Trapped in a Musical's Body

If the words “Oklahoma! basket auction” don’t mean anything to you, Schmigadoon! may not be your present. But if your eyes light up in enthrall anticipating how ripe for skit and homage Oklahoma! is — not to mention all other golden age movie musicals — then the brand-new Apple TV+ musical comedy starring Cecily Strong and Keegan-Michael Key is exactly your kind of weird, specific plow.

Strong and Key are a modern-day couple who find themselves stuck in a relationship rut. On a retreat in the groves, they stumble upon an odd little village( populated by a entertaining circle of Broadway favorites) straight out of a 1940 s musical. The two walk around this “attraction” with satisfy( Strong) and agnosticism( Key ), but when it’s time to leave, they find themselves caught in this mysterious, supernatural town of Schmigadoon with no way to get back to the present. Who will help them? Are the townspeople friend…or foe? Will true love save the day ???

Fans likely know exactly where this six-episode series is going from the first moments Strong and Key run across a bridge in an attempt to return home, but the travel — terminated with lothario rogues( a excellent Aaron Tveit ), a closeted mayor( Alan Cumming ), and a single schoolteacher( Ariana DeBose) — is a euphoric, goofy romp; a cast full of capital-C courages that fully understood the assignment.

Centering it all is Strong, an SNL vet known for playing comically huge mortals with an often zany energy. Here, she’s quieter but no less compelling, watching a crazy world encircle her with equal personas enthusiasm and dread. She’s deep charisma on Schmigadoon !, and the indicate replaces by making use of it easy to root for her. A special happy for this reviewer was any moment she imparted matter-of-fact, modern-day feminism to bear on any of the* many* questionable ideas and storylines from that epoch of melodics.( Her drunken rant about the above-mentioned basket auctioneer is something to behold .)

If only all rapscallions were as harmless at Aaron Tveit

If merely all rapscallions were as harmless at Aaron Tveit

Credit: ApPleTV+

As she and Key make their way through this off-kilter world, both together and apart, it’s fun for melodic fans to play “spot the reference” alongside them — there are nods to everything from Billy Bigelow to “Ya Got Trouble” to the gazebo from The Sound of Music. A random gave sound multitude? Oh, you know that’s happening. It’s all so specific and niche that it’s sort of a exultation to realize this show, created and written by Cinco Paul and Ken Daurio, is able to exist at all. It’s the kind of weirdo activity that can only happen because there are approximately one million different streaming services right now, and they all desperately need legends.

It’s all so specific and niche that it’s sort of a joyfulnes to realize this show is able to exist at all

It feels a little pernickety, then, to note that beyond the references, there isn’t much more here. The melodic lists( likewise by Paul) are quippy and expertly choreographed, though they aren’t quite the earworms that others in the genre have were put forward( both Crazy Ex-Girlfriend and Galavant likewise had more to say in their respective lyrics ). Key and Strong’s relationship rigors are one-note, and at merely six bouts long, this thing hummings along pleasantly but never genuinely articulates forth a strong point of view to explore about melodics, or that epoch, or even modern-day dreamy rapports.

But then…you’re sitting there, watching Kristin Chenoweth as a puritanical school lady in full moral panic or Jane Krakowski channeling her inner spurned Baroness, and unexpectedly, well, degree doesn’t matter all that much. Sometimes, it’s just a rapture to watch a goofy present. So much huge video is chilling, or heavy, or necessitates the interpretation “the humor comes from how dark it is !! ” If Schmigadoon! doesn’t ever rise to something bigger, that’s OK. It’s still a great place to visit.

Schmigadoon ! torrents on AppleTV+ beginning Friday .

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