Here’s what happens in the ending of BoJack Horseman season 6, and with it the conclusion to the entire serial, and what it all means. BoJack Horseman has been a staple of Netflix Originals since it launched back in 2014, and that it’s only just now coming to an end when so many other series were cancelled before spawns it all the more impressive. Created by Raphael Bob-Waksberg, the sequence has depleted six seasons in accordance with the often unpleasant life of its titular mare( played by Will Arnett) and his friends.

Fans known that BoJack Horseman was dissolving start into season 6, after Netflix realise the decision to cancel the line. However, the streaming service did at least give the show’s novelists enough time to properly plan out an objective. After the first part of season 6 debuted back in October 2019, the final eight occurrences of BoJack Horseman exhausted on January 31, 2020.

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The ending of BoJack Horseman isn’t merely the conclusion to his floor, but to so many of the character arcs that Bob-Waksberg, Lisa Hanawalt, and the rest of the team have been developing over the course of six seasons. Although there are a number of different plans to juggle there, the likes of Diane Nguyen, Mr. Peanutbutter, Princess Carolyn, and Todd Chavez all do accommodating send-offs too. Here’s the ending of BoJack Horseman explained.

The entire back-half of BoJack Horseman season 6 frisks as one long build towards its resolving, with the most crucial moments coming towards the end of escapade 14( where BoJack get alcohol and high, and stumbles into the pool of his old house ), and then playing out through chapters 15 and 16. Episode 15 deals with BoJack in what is essentially his own personal purgatory, surrounded by family and friends like Sarah Lynn, Herb Kazzaz, and his mother Beatrice, as they each move on into the afterlife. While the end of the episode razzes that BoJack himself might die, bout 16 rapidly reveals that he’s still alive. Instead of a death sentence he gets a prison one, but “re coming out” on daylight exhaust for Princess Carolyn’s wedding.

This allows BoJack Horseman’s serial finale to be a relatively quiet, unshowy affair. This is centered on the core relationships of the picture, as BoJack interacts with each of the central reputations, sharing sincere instants with all of them. While he may still see some of them again, it also feels like a goodbye in many ways as he watches fireworks with Todd, dances with PC, and talks on the roof with Diane. There’s no last-minute tragedy, the only fireworks here are those in the sky; instead, BoJack invests one more day with his friends, and then gets to go on with his life.

It’s long felt like BoJack Horseman would point not only with the specific characteristics dying, but with him quite specifically dying in his wading pool. It’s certainly been theorized by many a fan, and intimated at by the opening approvals, which prove BoJack submerged in that particularly body of water. In the end, BoJack Horseman gets to have its patty and eat it by seemingly killing off the horse in the swimming pool, showing us what seems like the detail after his death, but then bringing him back for the finale( although he never actually died, he comes most close to it ).

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Looking at the opening approvals, though, and while it’s easy to see the suggestions at extinction, it’s also easy to see the hints at life: BoJack is submerged in the pond, before his friends( Diane and Mr. Peanutbutter) perform before him, and then the final photograph is not him drowning, but swimming on top of the kitty, alive and well. That suggests that, actually, Raphael Bob-Waksberg was always planning to let BoJack live, rather than incorporating a downer ending. And it builds impression, too( whether always the plan or not ): BoJack is a show that speaks vigorously about things like hollow and substance abuse, and symbolizes a great deal to witness who might be chilled and/ or addicts. What does it say about the ability for oneself to change, to find some daylight in the darkness, if after everything he’s been through BoJack Horseman terminates up dead due to a bender? Instead, BoJack Horseman’s cease is a far more life affirming one: life may be tough, there’ll be overcomes, but you can get through it.

At the same time, nonetheless, this message is also paired with one of compute. That’s something BoJack has is currently facing throughout season 6, as his past has caught up with him( and also reflected in season 6’s retooled opening credits ). It pours out in explosive interviews and Hollywoo scandal, as we revisit BoJack’s worst deeds. The audience, as much as BoJack himself, is forced to confront the many unpleasant things the protagonist has done, especially when it comes to abusing his ability over the women in his life. In that smell, BoJack drowning after a darknes of guzzle and pills would almost be too easy; it’d feel tragic for him. By transport him to prison instead, BoJack actually has to face the consequences of what he’s done and all the people he has hurt. In light of #MeToo, when so few have yet to face any real ramifications, that becomes another much more powerful statement than purely killing BoJack off.

Driving home the core message of why BoJack wasn’t killed off is his conversation with Diane, which closes out the climax and, as such, the demo. It’s very telling that, despite the series saving the pair apart for much of this last-place season( and quite a bit before that, genuinely ), the final moments of BoJack Horseman come down to him and Diane – the show’s most important of all its relationships. The pair’s relationship has long been a difficult one, but also its truest: they’ve been supportive of each other, turned away from one another, but ultimately know the other better than just about anyone else. The the linkages between them guides deeper than any of the series’ nostalgic intrigues, which draws the final times all the better( and harder ).

With BoJack and Diane catching up, we learn that she’s married Guy and is moving to Houston. Although unspoken, the consequence is quite clear that this may be the last time the two ever check each other. You can feel it in the cumbersome gazes and shuffling as the line closes out; BoJack and Diane may not be a couple, but it’s like they’re breaking up. At the same time, though, it was possible to tinged with sadness but it isn’t sad. They both know they have to let go of the other; Diane has had her own combats with sadnes, and needs to be free to deal with them, and potentially has a shot at real joy. As wonderfully enlivened in season 6, escapade 10, much of that comes from Hollywoo and those close to her there; Houston, like Chicago, is an opportunity for a real fresh start for her, with someone who loves and will take care of her the room she’s ever had to take care and be there for others.

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For BoJack, he knows he has to stop hurting those around him and using them as a crutch, which reached its nadir when he left the voicemail for Diane before his “death”, with her idea him dead for hours. This might be an ending for BoJack Horseman, but the conversation between Diane and BoJack speaks to letting croak of the past, and moving to a brighter future.

Another major figure in BoJack Horseman’s life is Princess Carolyn, his friend, and onetime director and love. Like Diane, theirs is one of the series’ most rewarding rapports, and it more gets a key payoff with their dance at the bridal. What that hammers home isn’t just what they mean to one another, though, but also just how Princess Carolyn has come out on top of everything, proving that she can have it all. She has a child , now she has a husband, but on top of that she has a promising brand-new occupation ahead of her as she provides up a creation firm to focus on female-led films.

Being married to and working with Judah feels like the perfect dissolving for Princess Carolyn: one of the biggest the main theme of her storyline has been that she’s been married to her work, and thus unable to have a family. Now she is literally married to her work, and has drawn that into their own families extremely. The affair with Judah is astounding when it first arises in BoJack Horseman season 6, but it’s a indeed fitting one for Princess Carolyn’s journey.

Todd and Mr. Peanutbutter don’t get quite as much to do in BoJack Horseman’s cease as Diane and Princess Carolyn, but that’s more indicative of where the narrative has taken them than being of lesser importance. Both have key instants with BoJack: Mr. Peanutbutter picks him up from confinement; Todd watches the fireworks stop his shoulders on the sea. We’ve already seen what the pair are going to be doing; Todd has his daycare service that he rolls in Princess Carolyn’s structure, and is settling down with Maude. Mr. Peanutbutter has his eatery, with slothful Susans, small plates, and pictures of his face on the menu. Pickles has gone off with Joey Pogo, but Mr. Peanutbutter seems ok with where his life is at, even returning what he thinks is the “D’ to Hollywoo, or rather , now Hollywoob.

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The sense given by these scenes is that they’ll remain in BoJack’s life. Mr. Peanutbutter certainly will, whether BoJack misses him to or not. Like with PC and Diane, BoJack Horseman renders these people happy results that feel shaping to the travels they’ve been on, but don’t need to be tightly wrapped up. Their lives will simply keep on, but they, like the titular colt, seem to be mostly ok, or at least doing their best.

If there’s a negative to how BoJack Horseman ends, it’s in the relationship between BoJack and his sister Hollyhock, and the lack of resolution for the pair. While BoJack starts season 6 , responsibility 2, schooling at Wesleyan University, where Hollyhock attends, she does her best to avoid him after learning of what happened with Penny and her friends on their prom nighttime back in BoJack Horseman season 2. Hollyhock understandably slams BoJack out, and he’s never able to find a way back in. He leaves her countless sends after returning back to Hollywoo, but never listens anything until he receives a word from her. When he finally opens it, the contents clearer shatters him, referring him on one last downward spiraling, but we never get to see what it was.

Hollyhock doesn’t appear again in BoJack Horseman, and while she’s presumably still attending the University, we don’t know if things will ever be resolved between her and BoJack. We can perhaps assume, then, that her note was saying as much; depicting a line under their relationship, interpreting what she knew of his actions, and that she no longer wanted to be a part of his life. On BoJack’s end, if that is the case, then he at least respects Hollyhock’s intentions, a further example of him telling people vanish in order to not cause them any more pain, but it would have been nice to have regard more of their cease play out together.

As BoJack Horseman “re coming” an boundary, the indicate plays out with Catherine Feeny’s song “Mr. Blue”, which becomes a poignant capstone on his relationship with Diane, and our relationship with the reveal. The song is talking about a stormy yet desiring tie-in, when where they care for one another but it’s ultimately harmful. The lyricals, such as “I have to go now, ” reference Diane’s move to Texas, and leaving BoJack and Hollywoo behind. It backs up just how important a decision that is for her own health and happiness.

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At the same time, the words too refer to BoJack’s own future, and how we have to leave him behind, but can now finally know that he’ll actually be alright. “Mr. Blue, Don’t regarded your honcho so low-spirited that you can’t watch the sky/ Mr. Blue, It ain’t so long since you were flying high.” These words feel as though they were written for BoJack, especially in this moment. He may have done dreadful things, he may be in prison, he may be saying goodbye to some people close to him. But he can still look up and see that sky, see tomorrow, and know he can and will be better, that he’s leant the work in, faced up to his actions, and truly can change.

Given the show’s predilection for piling desolation upon its eponymous equine, it wouldn’t have been too much of a amaze for it to go out on a low-toned greenback, be it BoJack’s death or simply casting him on a spiraling that confirms he can’t and/ or won’t change. But that’s not the kind of show BoJack Horseman is, and its destroy is all the more profound because it turns away from what could feasibly be easy decisions.

BoJack Horseman’s end feels like a friend bit to Mad Men’s finale: two busteds soul, bad soul( or horse) supporters whose outings finish with intimate conversations with the women closest to them, and a hushed moment that shows just how much they’ve varied and developed. It isn’t, of course, 100% chipped and baked for BoJack. An junkie is always an addict; depression can return; bad motifs can re-emerge. But the ending suggests that those things won’t happen to him. In its resolve, BoJack Horseman offers the one thing the reveal so often seemed to be withholding, from us and its mare hero: hope. That you can change, you can get better, you can be ok. Or, as Diane so eloquently gives it, summing up the thematics of the entire finale: “Life’s a b* tch, and you keep on living.” BoJack excludes on living. But now, he’ll actually have a life.

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Read more: screenrant.com