Looking for ways to crank up your footage? Here are four ways to use merging to turn regular shots into visual spectacles.
As a fan of Adult Swim’s Off The Air material and regular helper of EDM celebrations, I’ve always been a fan of colorful visuals and eclectic imagery. For some reason, watching normal footage that’s been cranked into a visual sight is oddly hypnotic, and it’s hard to turn away from.
So in researching how to recreate these effects, I found that they are excellent for pairing different shots and crushing them into one — as well as composing off-the-wall changes that are sure to keep your audience stimulated.
Whether you are a DJ trying to attain content to frolic during your establisheds or a music video make go looking for eerie ways to match footage to your artist’s M.O ., here are four ways and means to combination footage creatively.
If you’re a fan of A$ AP Rocky, you may have insured his music video for” Yamborgini High ,” which boasts the datamosh result somewhat heavily 😛 TAGEND
As you can see in the video, datamoshing is a process of purposely corrupting footage to establish the pixels behave strangely. In the past, you’d is therefore necessary to download an aged video journalist that would “accidentally” infects the footage, but fortunately, there’s now an After Upshot plug-in to help you datamosh in one click.
Follow the download instructions for the plugin, open After Effects, and drag two excerpts into your timeline next to each other. Open up the datamosh plugin, and it will inspire you with a few different options. You can choose from presets on a dropdown menu, or you can toy with the situates yourself. The Delta frame fixeds will create the “bloom” gist on your videos, and the I-frame designates will help pixels walk and track onto your next excerpt, starting the mosh impacts you’re looking for.
2. Displacement Wipe
This is a transition that our friend Todd created for After Gists( Thanks Todd ). The dislocation lick phantoms luminant pixels into the next enclose by utilizing displacement maps.
To create this consequence, drop-off two clips into your timeline, and overlap them by a few seconds. Drag the” dislocation map” aftermath onto your top clip. Appoint a keyframe at the opening up of the overlap through the” vertical dislocation” locations( we won’t be using horizontal displacement, in order to be allowed to exactly prepared that to zero .) At the conclusion of its overlap, create another keyframe and kind in “5000” to the vertical displacement locateds. Now, your footage will phantom trail into the next video. Add an opacity terminate to the end to get rid of the hard cut-off.
3. Double Exposure
You may have considered double show management in photography, but the only illustration I can think of for video is the intro for True Detective.
This opening sequence actually requires loads and onus of rotoscoping and blending, so I’m going to show you the easy space to make it in Premiere. First, take a clip that has a subject against a austere lily-white background. Drag it onto your timeline — along with a visually interesting video to coating underneath. All you are required to do from here is go to Opacity> Blend Mode> Screen. This will coalesce the two excerpts and uncover the bottom excerpt beneath the top theme, but not the grey background.
4. Key Transition
This is an effect that I haven’t seen quite often, but it turns boring footage into a trippy dazzling. To do this, take some video of an objective with a solid pigment( sign, effigy, dumpster, etc .). Bring the footage into Premiere, and region it onto your timeline over another visually interesting clip. To key out the desired coloring, only drag out the Ultra Key effect from the effects tab and drag it onto your video, then use the dropper to adopt the keyed color. And . . . that’s it! You can now appreciate the bottom clip through the keyed color, giving your video an acid-trip was of the view that your can pair with a hue exchange to create an otherworldly atmosphere.
Speaking Of Hue Swap . . .
Some of you might question how I got the emblazons to change wildly during my video’s intro. To get this aftermath, use the” Change Color” upshot in Premiere. Quit it onto your desired clip, select a vibrant color in your video, and key in a large change through your Hue settings. This will toggle the hue places during your excerpt, starting that color-swapping influence you were looking for.
Looking for more video creation seminars? Check these out.
Video Tutorial: How to Improve Your Own Film and Video Sets DIY Filmmaking: 7 New Hacks to Help Your Shots — and Sanity How to Easily Color Match Any Two Cameras in Post-Production How to Shape a Roger Deakins Ring Light for Under $150 4 Iconic Music Video Effects You Necessary to Know
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